Tropenmuseum stays RED
A visual spectacle inspired by the colour red across all cultures
The Amsterdam's Tropenmuseum stays red. On account of the success of the exhibition ROOD (‘RED’) the Tropenmuseum decided to prolong the exhibition until the 31st of July. The exhibition ROOD - originally due to end the 8th of May- will focus on the colour in all its many aspects. Red is one of the most important colours in almost every culture and has many meanings. Visitors will see Armando and Constant alongside masks from Oceania and a statue of Lenin juxtaposed with a Chinese bridal gown. Over three hundred objects, including ethnographic artefacts and modern art, will arouse all the senses. The colour red is what gives all these objects their power and significance.
From blood-red and scarlet to Burgundy and the red of the evening sky. The objects are displayed in a transparent, flowing setting created by designers Maarten Spruyt and Tsur Reshef, well known for their work in the Rijksmuseum’s Art Nouveau exhibitions, Voici Paris! – Haute Couture and 15 years of Marlies Dekkers. Of course, the colour red means something different to everyone, but it also has universal associations. These meanings are numerous and contradictory. Red can stand for happiness, fertility and love but also for power, violence and danger. Red can be romantic, but it can also be deadly. All of these associations are included in the exhibition in themes such as life cycles, energy, power, identity, deities, demons and love.
Visitors reviews
The visitors’ perspective on the colour red: “The colour red brings me a lot of happiness and light in life”, “Red is the colour of the sunset of today’s tomorrow”, “Red is the colour of the courageous Tunisian soldiers”, “Red is the first colour you see and also the last one. Close your eyes and see the colour”, “Red is the colour of being moody, having stomach aches and eating a lot of chocolate”.
Every Sunday in July a guided tour in English
Every Sunday in July the Tropenmuseum offers a guided tour of ROOD, where visitors can discover and experience the meanings of the colour red as it is perceived in several cultures. Start: 14.30 hrs for 5 euro (excl. entrance) in English.
ROOD/RED App
Why are flaming red panty’s hanging on the ceiling of the Tropenmuseum? How much wool does one need to knit a scarlet, life- size Ferrari? With the help of the ROOD/RED audio tour App, visitors will know the answer to all these questions and even more. Alongside their visit to ROOD, visitors are also invited to listen to the stories via their own iPhone, iPad, iPod touch or rent an iPod touch via the Tropenmuseum. Download the ROOD/RED App via Apple App store (1,59 euro). The same audiotour is available in the museum for rent (iPod touch, 3 euro excl. 5 euro deposit).
Highlights
The Tropenmuseum combines its own objects with the collection from the Museum of World Cultures in Basel, presented there in the RED (ROT) exhibition in 2007/2008. There are also objects on loan from a range of different museums including the Cobra Museum, the Amsterdam Historical Museum and the Dutch Army Museum.
Visitors will see controversial works of art, including a remarkable erotic costume by Belgian fashion designer Walter Van Beirendonck and a monumental sculpture by Heringa/Van Kalsbeek. A key focus of their work is the central role played by this colour in many societies. The museum will exhibit sculptures by Gerard Quenum (a native of Benin) featuring dolls, found objects and red accents. The Widow (white) by photographer Inez van Lamsweerde will also be on display. In this portrait, the colour red both illustrates and accentuates the themes of mourning, suffering and death.
Alongside the contemporary art works, there are also numerous objects from ethnographic and cultural history. The highlights include a beautiful headdress from North America, a remarkable ancestral mask from Papua New Guinea, statues of Aztec deities and a Romanian devil’s mask. Other examples are a British soldier’s tunic from the Battle of Waterloo, political posters from the Netherlands, Iran and China, a bridal dress from Marken and a ceremonial robe created for Cardinal Simonis by fashion designer Aziz Bekkaoui. All in all, visitors will be treated to an exceptionally broad panoply.
About the Tropenmuseum
The Tropenmuseum presents, studies and promotes knowledge of and exchanges between cultures. It offers a range of different experiences to a wide and varied public, featuring every available museum resource: exhibitions, collections and expertise, publications, the historic building, education and other activities. The museum of the Royal Tropical Institute plays an active international role in culture and development. The Tropenmuseum is supported by the BankGiro Loterij.
Linnaeusstraat 2 | Amsterdam | +31 (0)20-568 8200
tropenmuseum@kit.nl
www.tropenmuseum.nl
Note to editors
For further information please contact the Tropenmuseum, Nanja Ruiter, tel. +31 (0)20 – 568 8418, or by e-mail: n.ruiter@kit.nl.
Press photos
002
Adam en Eva
Aardewerk. Metepec, Mexico. 20e eeuw.
Bruikleen: Museum der Kulturen, Basel
ib-2010-01-065a/c
Adam and Eve
Earthenware. Metepec, Mexico. 20th century.
loan: Museum der Kulturen, Basel
ib-2010-01-065a/c
Houten figuur van Gauri, de vrouw van de god Shiva
De godin Gauri
Hout. Rajasthan, Jaipur, India.
Eerste helft 20ste eeuw.
Aankoop: 1968.
3751‑81
The goddess Gauri
Wood. Rajasthan, Jaipur, India.
First half 20 thcentury.
Purchase, 1968.
3751-81
004
Duivelsmasker
Vilt, konijnenbont. Roemenië. 20e eeuw.
Bruikleen: Museum der Kulturen, Basel
ib‑2010‑01‑137
Devil mask
Felt, rabbit fur. Romania. 20 th century.
Loan: Museum der Kulturen, Basel
ib-2010-01-137
005
Godenbeeld van Xipe Totec64
Vulkanisch gesteente. Azteken (cultuur), Mexico. ca 1350–1521.
Bruikleen: Museum der Kulturen, Basel
ib‑2010‑01‑062
Xipe Totec
Volcanic stone. Aztec (culture), Mexico. c. 1350-1521.
Loan: Museum der Kulturen, Basel
ib‑2010‑01‑062
007
Untittled 2009
Liet Heringa (Den Bosch, 1966) en Maarten van Kalsbeek (Oegstgeest, 1962).
Hout, hars, textiel, metaal. 2009.
Bruikleen: Liet Heringa en Maarten van Kalsbeek, Amsterdam
ib‑2010‑20‑01
Foto: Loura Kok.
Untitled 2009
Liet Heringa (Den Bosch, 1966) and Maarten van Kalsbeek (Oegstgeest, 1962)
Wood, resin, textile, metal. 2009.
Loan: Liet Heringa and Maarten van Kalsbeek, Amsterdam
ib-2010-20-01
Photo: Loura Kok.
006
Hoofdtooi
Staarthaar van hert, leer en plantenvezels.
Inheems, Noord-Amerika. 20 ste eeuw.
Bruikleen: Museum der Kulturen, Basel
ib‑2010‑01‑059
Head ornament
Hair of a deer’s tail, leather, plant fibres.
Native North American. 20th century.
Loan: Museum der Kulturen, Basel
ib-2010-01-059
011
The Widow (White)
Inez van Lamsweerde (Amsterdam, 1963)
C‑print. 1996.
Bruikleen: Rabo Kunstcollectie
ib‑2010‑24-01
The Widow (White)
Inez van Lamsweerde (Amsterdam, 1963).
C print. 1996.
Loan: Rabo Art Collection
ib-2010-24-01
008
Geen titel (uit Not Strictly Rubens)
Walter van Beirendonck (Brecht, 1957)
Textiel, lycra. 2003.
Bruikleen: Koninklijk Ballet Vlaanderen, met dank aan Walter van Beirendonck
ib-2010-25-01:
Foto: Ronald Stoops Photography
Untitled
Walter van Beirendonck (Brecht, 1957)
Textile, lycra. 2003.
loan: Royal Ballet Flanders, with special thanks to Walter van Beirendonck
ib 2010-25-01
Photo: Ronald Stoops Photography
012
Vooroudermasker
Boombast, rotan. Uramot Baining (cultuur).
New Britain, Papua Nieuw-Guinea. 20ste eeuw.
Bruikleen: Museum der Kulturen, Basel
ib‑2010‑01‑127
Ancestor mask
Bark, rattan. Uramot Baining (culture).
New Britain, Papua New Guinea. 20th century.
Loan:Museum der Kulturen, Basel
ib-2010-01-127
009
Le Sage, Le Dame and l’Enfance
Gérard Quenum (porto novo, benin 1971)
Hout, kunststof, textiel, 1999/2010/2000
bruikleen: Collectie Afrika Museum, Berg en Dal
ib-2010-08-01/03
Le Sage, Le Dame and l’Enfance
Gérard Quenum (porto novo, benin 1971)
Wood, plastic, textile,1999/2010/2000.
Loan: Africa Museum, Berg en Dal
ib-2010-08-01/03
003
Beeld 'Mimi'
Romuald Hazoumé (Por to No vo, Benin, 1962)
Plastic, kunsthaar. 1997
Bruikleen: Afrika Museum, Berg en Dal (in langdurige bruikleen van het ICN, Rijswijk/Amsterdam.)
ib-2010-08-04
Sculpture 'Mimi'
Romuald Hazoumé (Porto Novo, Benin, 1962)
Plastic, synthetic hair. 1997.
Loan: Afrika Museum, Berg en Dal (long term loan by ICN, Rijswijk/Amsterdam)
ib-2010-08-04
010
Politiek affiche: ‘The Revolutionary Committees are Good’
Offset druk. China. 1968.
Bruikleen: IISG, Amsterdam (BG G2/145)
ib‑2010‑16‑02
Political poster: ‘The Revolutionary Committees are Good’
Offset print. China. 1968.
Loan: IISG, Amsterdam (BG G2/145)
ib-2010-16-02
001
12 Miles of Yarn
Lauren Porter (Londen, 1984)
Wol, katoen, hout en metaal. 2006
Bruikleen: Lauren Porter
ib-2010-27-01
12 Miles of Yarn
Lauren Porter (London, 1984)
Wool, cotton, wood, metal. 2006
Loan: Lauren Porter
ib-2010-27-01
